Forum Modernes Theater, 32, 2 (2021)

Aufsätze
Peter W. Marx (Köln)
„Turtles all the way down“. Zu methodischen Fragen der Theaterhistoriographie

Steff Nellis (Ghent)
All rise! Jurisdiction as Performance/Performative Language

Christopher Balme (Munich)
Covid, Crisis and Prognosis: Prospecting the Future of Theatre

Themenheft: Text, Image, Performance
Jan Lazardzig (Berlin)
Editorial

Aufsätze:
Claudia Daiber (Groningen) / Elke Huwiler (Amsterdam)
Text, Performance, and the Production of Religious Knowledge: The Protestant Passion Play and the Catholic Saint Play

François Lecercle (Paris)
Rewriting the Unwritten: On the History of Theatrophobia

Clotilde Thouret (Nancy)
In Light of the Controversies: Spectatorship Reconsidered

Kati Röttger (Amsterdam)
Techno-Logics and Techno-Magics: Phantasmagoria in the Age of Electricity

Isa Wortelkamp (Leipzig)
Scratches, Holes, and Spots: Decay and Disappearance of Early Dance Photograph

Tancredi Gusman (Lucerne)
Exhibited, Recorded, Collected: Performance Art and Documentation in documenta 5 and 6

Christa-Maria Lerm Hayes (Amsterdam)
The Finnegans Wake Reading Group as a Model for “Stealth Activities” between Art and the University

Gabriele Brandstetter (Berlin)
The Effect of the Real: How Do Performing Artists Affect Historiography