Peter Hughes, Robert Rehder
Imprints & Re-visions
The Making of the Literary Text, 1759-1818
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SPELL is a biennal periodical of the Swiss Association of University Teachers of English (SAUTE) and publishes a representative selection of papers given by SAUTE members and by distinguished visiting lecturers at symposia organized by the Association.
SPELL 8, Imprints & Re-visions: The Making of the Literary Text, 1759 - 1818, is devoted to the tension between an ideal of creative vision and the realities of a print culture, which were rarely greater or more productive than in the last decades of the eighteenth century and the opening decades of the nineteenth. the volume , which includes contributions by Fritz Gutbrodt, Elisabeth Bronfen, Stephen Copley, Robert Rehder, Jonathan Wordsworth, J.C.C. Mays, Armando Colombo, Timothy Fulford, Peter Hughes, Morton D. Paley and Bruce Lawder, approaches this theme through studies of works ranging from Young´s Conjectures on Original Composition to Mary Shelley´s Frankenstein, with special emphasis on Wordsworth and Coleridge.
SPELL 8, Imprints & Re-visions: The Making of the Literary Text, 1759 - 1818, is devoted to the tension between an ideal of creative vision and the realities of a print culture, which were rarely greater or more productive than in the last decades of the eighteenth century and the opening decades of the nineteenth. the volume , which includes contributions by Fritz Gutbrodt, Elisabeth Bronfen, Stephen Copley, Robert Rehder, Jonathan Wordsworth, J.C.C. Mays, Armando Colombo, Timothy Fulford, Peter Hughes, Morton D. Paley and Bruce Lawder, approaches this theme through studies of works ranging from Young´s Conjectures on Original Composition to Mary Shelley´s Frankenstein, with special emphasis on Wordsworth and Coleridge.
SPELL is a biennal periodical of the Swiss Association of University Teachers of English (SAUTE) and publishes a representative selection of papers given by SAUTE members and by distinguished visiting lecturers at symposia organized by the Association.
SPELL 8, Imprints & Re-visions: The Making of the Literary Text, 1759 - 1818, is devoted to the tension between an ideal of creative vision and the realities of a print culture, which were rarely greater or more productive than in the last decades of the eighteenth century and the opening decades of the nineteenth. the volume , which includes contributions by Fritz Gutbrodt, Elisabeth Bronfen, Stephen Copley, Robert Rehder, Jonathan Wordsworth, J.C.C. Mays, Armando Colombo, Timothy Fulford, Peter Hughes, Morton D. Paley and Bruce Lawder, approaches this theme through studies of works ranging from Young´s Conjectures on Original Composition to Mary Shelley´s Frankenstein, with special emphasis on Wordsworth and Coleridge.
SPELL 8, Imprints & Re-visions: The Making of the Literary Text, 1759 - 1818, is devoted to the tension between an ideal of creative vision and the realities of a print culture, which were rarely greater or more productive than in the last decades of the eighteenth century and the opening decades of the nineteenth. the volume , which includes contributions by Fritz Gutbrodt, Elisabeth Bronfen, Stephen Copley, Robert Rehder, Jonathan Wordsworth, J.C.C. Mays, Armando Colombo, Timothy Fulford, Peter Hughes, Morton D. Paley and Bruce Lawder, approaches this theme through studies of works ranging from Young´s Conjectures on Original Composition to Mary Shelley´s Frankenstein, with special emphasis on Wordsworth and Coleridge.
| ISBN | 978-3-8233-4683-8 |
|---|---|
| EAN | 9783823346838 |
| Bibliographie | 1. Auflage |
| Seiten | 241 |
| Format | kartoniert |
| Ausgabename | 14683 |
| Auflagenname | -11 |
| Herausgeber:in | Peter Hughes, Robert Rehder |
| Erscheinungsdatum | 06.12.1995 |
| Lieferzeit | 2-4 Tage |